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Exhibitions by Year
The Lenkiewicz Foundation, with the aid of Dr Antony Knights at Plymouth University, has used laser technology to scan the human remains of the vagrant Edwin Mackenzie (1912-1984). Lenkiewicz named him Diogenes after the Greek philosopher who lived in a barrel after finding the tramp dwelling in a concrete pipe in a rubbish tip. Diogenes was soon a permanent fixture at Lenkiewicz’s studio; ‘He was very popular,’ Lenkiewicz said, ‘but there were times when I wasn’t sure whether people were coming in to see Diogenes or coming in to see the exhibition. They were certainly very surprised by him ... this scrawny, miniature Father Christmas.’
The Diogenes Show marks the 40th anniversary of their collaboration in The Masterpiece Museum & The Diogenes Con Show, Lenkiewicz’ ironic look at art and commerce. For practical reasons the expertly embalmed remains of Diogenes cannot make a personal appearance as the ultimate memento mori (‘remember, you will... Read more
Art lovers seeking the real Robert Lenkiewicz (1941–2002) will have no fewer than 30 different versions of the artist to choose from at Ocean Studios in Plymouth’s Royal William Yard from 2 April to 3 May. The exhibition Self-Portraits is a long-overdue reprise of the show which appeared at London's Ben Uri Gallery in 2008. The paintings range from journeyman works of Lenkiewicz's teenage years to the time-worn self-portraits of his last decade.
The centrepiece of the exhibition is an enormous diptych, which stands over three meters tall, titled The Deposition - The Burial of Education (detail above). The painting was a dominant presence in Lenkiewicz's Barbican studio for many years after its creation in 1986 as part of the Project Observations on Local Education. It features one of Lenkiewicz's most striking self-portraits, wrapped ironically in a Union Jack flag as he observes the mourning for a dead child; his metaphor for liberal education... Read more
The Lenkiewicz Foundation are presenting an exhibition at New Street Gallery of works on paper from Lenkiewicz’s 1970’s relationship Projects. The exhibition coincides with the publication for the first time of the related Project notebooks on Love and Romance, Love and Mediocrity, and Orgasm on our website.
These original works on paper showcase Lenkiewicz’s innovative and startling ‘private language’ of what he termed ‘aesthetic notes’ – using text and colour metaphors to explore human physiology in a state of crisis. A new essay will explore the influence on the painter’s ideas of the book Love’s Body, written by Norman O. Brown in 1966.
The exhibition will be open between 20 Nov 2015 and 6 Jan 2016 on Thurs–Sun ONLY.
Holiday closing times: Mon 23 Dec – Wed 2 Jan.
FAMILY MATTERS: A PRIVATE COLLECTION
Works by R.O. Lenkiewicz (1941-2002)
8 February - 23 March 2014
A FREE exhibition of work by Robert Lenkiewicz at Hannahs at Seale Hayne, Howton Road, Newton Abbot, Devon. Curated by Annie Hill-Smith
Open 7 days per week, 10am - 6pm
T: 01626 325800 | E: email@example.com
Hannahs at Seale Hayne, Newton Abbot, Devon, TQ12 6NQ
The paintings you see in this exhibition come from private collections of Robert Lenkiewicz’s work that have evolved over many years. They are related to each other by virtue of the fact that they are of members of the Lenkiewicz family or are of things that are associated with family. Some have never been seen in public before. They are from a range of Lenkiewicz’s projects or are non-project pieces. They are ‘personal’. They have been collected by members of the Lenkiewicz extended family and... Read more
This exhibition was first shown at the Spinnerei, Leipzig between 23 June – 21 July 2013.
The first exhibition in Germany of paintings by British artist Robert Lenkiewicz (1941-2002), organised by The Lenkiewicz Foundation, will move to Nuremberg’s Auf AEG on 14 September (until 13 October) from its acclaimed showing at The Spinnerei, Leipzig in June and July. The ten-year anniversary of the artist’s death was marked last year in the South West of England with a large-scale exhibition entitled Human, All Too Human and this show, in greatly expanded form, is travelling under its German title – Menschliches,... Read more
First solo show by British painter Robert Lenkiewicz (1941–2002) in Germany / Leipzig
The first exhibition in Germany of paintings by British artist Robert Lenkiewicz (1941-2002) will take place this year. The Lenkiewicz Foundation has organized the exhibition, to be held at The Spinnerei, Leipzig between 23 June and 21 July. The ten-year anniversary of the artist’s death was marked last year in the South West of England with a large-scale exhibition entitled Human, All Too Human and this show, in greatly expanded form, will travel to Leipzig under its German title – Menschliches, Allzumenschliches.
This landmark show will be the largest exhibition of the artist’s work to date, recognizing a number of cultural and biographical connections between Lenkiewicz and Leipzig. His Polish-born Jewish father was a horse trader in Saxony before escaping just prior to World War II. According to family tradition Lenkiewicz’s great grandfather... Read more
‘HUMAN, ALL TOO HUMAN’ – AN EXHIBITION OF WORKS BY ROBERT LENKIEWICZ
The Royal William Yard in Plymouth will be hosting a major exhibition of works by Robert Lenkiewicz (1941-2002) between 3 – 28 June. The show will mark the ten-year anniversary of his death, and will explore the artist’s life-long interest in the ideas of German philosopher Friedrich Nietzsche, whose book ‘Human, All Too Human’ gives the exhibition its title.
In recent years, growing recognition from a national audience, with increasing international interest in Europe and America, has established Lenkiewicz as a serious and increasingly relevant 20th century British painter. Sponsored by The Somerville Gallery, the exhibition will take advantage of two vacant units in the Mills Bakery building at Plymouth’s historic Royal William Yard, which is pioneering the Stonehouse and Millbay regeneration project with cultural events, and where visitors will also find a selection of thriving... Read more
An exhibition of original works and Project notebook facsimiles at Torquay's oldest building, which underwent a £6.5 million restoration as a heritage centre in 2005.
Death and The Maiden focused on works from the painter’s 1974 ‘Project’ exploring the traditional ‘Death and The Maiden’ theme. This theme counterpoints death and decay with the potential for new life usually represented by the nubile female figure. Numerous paintings and drawings were shown which had not been exhibited in the years since Lenkiewicz’s death.
Death and The Maiden was first exhibited in 1974 at Lenkiewicz’s new Clifton Street studio, The Fool. Much of the exhibition comprised framed works on paper which were later bound, together with the painter’s original research notes, into a large folio. The folio contains more than 70 watercolours and drawings and modern facsimile techniques now make it possible to exhibit the contents of the Project notebook much as they... Read more
"This will be the most comprehensive exhibition of Robert Lenkiewicz's work since his premature death at the age of 60 in 2002. Lenkiewicz famously chose the outsider as the subject for his art: the vagrants and street alcoholics who dossed at his studios, families with mentally handicapped children, the elderly, the dying – human beings isolated from one another by their circumstances and from themselves by their preoccupations.
'You're born alone and you die alone,' he said and the problem was to deal with the isolation of simply being alive. Lenkiewicz found one solution – a richly creative life conducted with panache – and left behind a legacy which will appeal to anyone with an interest in the conundrum of existence. In his obituary of Lenkiewicz, art critic David Lee remarked that 'Lenkiewicz was one of few serious painters of contemporary history.'"
Museum exhibition to showcase the legacy of Lenkiewicz
A new exhibition of works by Robert Lenkiewicz, which opens at Plymouth City Museum and Art Gallery on Wednesday 8 April, will present the first ever showing of the legacy of artistic works that the artist bequeathed to the Lenkiewicz Foundation upon his death in 2002.
‘Lenkiewicz: The Legacy’ will offer a first glimpse of the treasures now held within The Lenkiewicz Foundation’s collection, and will remain on display until the end of Saturday 11 July. The show is set to provide a thought-provoking insight into the ideas and inspiration behind his work and show a side of his creativity that is seldom seen.
“The name of Robert Lenkiewicz is synonymous with large easel paintings and huge public murals, yet from the early 1970s he also produced an extraordinary archive of works on paper, otherwise known as ‘aesthetic notes’, which have rarely/never been on public display,” explains Francis... Read more
The first major London exhibition of works by Robert Lenkiewicz (1941-2002) at Ben Uri Gallery, The London Jewish Museum of Art, featuring a selection from the artist's finest self-portrature throughout his career.
For an artist first inspired to paint in boyhood after seeing Charles Laughton portray Rembrandt in Alexander Korda's classic film, it was perhaps inevitable that Robert Lenkiewicz would turn frequently to the subject of self-portraiture.
The self-portraits collected in this show span the artist's whole career. From his first paintings as an earnest fifteen-year-old boy, working in Room No. 3 of the Hotel Shemtov, the Jewish hotel run by his parents in Cricklewood in the post-war years, to the haunting last self-portrait in hospital shortly before his death in Plymouth aged sixty, these images make for an encyclopaedia of the artist's changing styles and philosophical interests down the years.
Lenkiewicz famously chose the outsider as the subject for... Read more
The ideas that underline this exhibition … at the edge … stretch back to the late 1960's and to the themed exhibitions that Robert Lenkiewicz began to organise in Plymouth in 1973.
We are seeking to show work that we hope will demonstrate Lenkiewicz's skill and humanity but will also - when seen together - create within you an aesthetic response that will have staying power. This is a themed show, in the Lenkiewicz ‘mold’ but is not of course an original Lenkiewicz theme. We hope this exhibition will stretch the imagination of those attend in a way that Lenkiewicz himself would have hoped to do.
This is a new project; we can’t reconstruct one of the original collections (which he called projects) so we are generating the first post-Lenkiewicz project showing work from several of the original projects but all touching on one of his 'meta-themes', that of social enquiry. We think that this is a legitimate ‘stretch’ from his... Read more
Featuring works by Freud, Auerbach, Bomberg, Shoa, Haughton,and a number of 'New British Realists'.
'True To Life' celebrates the evolving tradition of figurative painting with past and contemporary classics. If Zola's words were not enough, I was left in no doubt on entering this exhibition that I was in for a sensory visual feast. Major works by Lucian Freud, Frank Auerbach, David Bomberg, Robert Lenkiewicz, Nahem Shoa and Desmond Haughton, together with the New British Realists stop you in your tracks. "In the present critical climate a show like this feels revolutionary." (Myrna Shoa, 2007).
Myrna Shoa's YouTube video is available here.
Work by some of the most exciting figurative painters in Britain will be showcased in an important new exhibition at Hartlepool Art Gallery.
'Uncompromising Study', which runs at the gallery from Saturday 24 June to Sunday 6 August, features pieces by Lucian Freud, Frank Auerbach, Robert Lenkiewicz, and Nahem Shoa.
It also includes the work of the New British Realists - Desmond Haughton, Geoff Crannage, Gbenga Ilumoka, Caroline Poole, Christopher Potter and Myrna Shoa - six contemporary artists who come from the same tradition.
Freud's painting Head of a Woman, which was recently shown in the Musei Civica Veneziani as part of this year's Venice Biennale, and Auerbach's painting Building Site Oxford Street and its accompanying study drawing - which has not been shown for 30 years - are among the pieces which will be on display in the Hartlepool exhibition.
Also featured will be the Lenkiewicz masterpiece The Painter with Mary in... Read more
This retrospective exhibition was a reduced (just over 70 as opposed to nearly 100 works) of the Retrospective at Plymouth City Museum and Art Gallery the preceding year. However, the two exhibitions had only fifty works in common with more than 20 additions to the later showing, which greatly expanded the section of work dating from the 1950s.
In his review of the show, Terry Grimley of The Birmingham Post decries the lack of dates in the picture captions:
"Lenkiewicz prefers to exhibit his work in a series of themed "projects" rather than chronologically, which frustrates any attempt to trace artistic development – particularly as he is prone to switching styles according to the subject at hand."
Terry Grimley's article is here: Plymouth maverick still has the power to astound; Terry Grimley previews a... Read more
From the Plymouth City Museum & Art Gallery July - October 1997 events programme:
"In 1996 Plymouth became the first public gallery in the UK to place a painting on permanent display. Now the first ever overview of the artist's work premieres in Plymouth before touring to other venues in 1998.
In recent years Lenkiewicz's painting has become more widely appreciated, with collectors in Europe, Australia and North America buying his work. In 1994 an exhibition at Birmingham's International Convention Centre attracted 35,000 visitors in just one week!
This major retrospective, occupying the first floor galleries, is one of the largest exhibitions to be presented in the region this year. Including paintings from Robert's teenage years to his current project on Addictive Behaviour, the show will give audiences a rare opportunity to view a comprehensive collection of the artist's work."
This exhibition, at the artist's gallery known as The Annexe in Citadel Ope, presented restored and reworked canvasses from the Vagrancy Project, together with new paintings of the last surviving vagrant, Les 'Cider' Ryder. The painting Plymouth Mourning Over Its Unfortunates (1974) and Diogenes at Night in Studio Window (1977) also featured.
The third and final exhibition of studies from Project 18 at the New Street Gallery being:
Some recent studies for section 18 of the Relationship series - 400 paintings to be exhibited if it is decided whether his present library/studios are to remain library/studios or to join the adjacent monastery and other buildings of significance on the Barbican in providing thoughtless and anti-social brewery services.
The notes reflect the artist's concern that the landlord of the studios in which he now worked was seeking to sell the building. In Lenkiewicz's view, the most likely outcome of a sale would be the conversion of the space into licensed premises of one sort or another.
Lenkiewicz's notes continue:
Ideas are substitutes for griefs
In itself, every idea is neutral, but we are idolaters by instinct and convert the objects of our dreams and addictions... Read more
The second showing of "sketches and reflections" for Project 18 to be shown at the New Street Gallery.
The exhibition notes state:
THE PAINTER WITH WOMEN: OBSERVATIONS ON THE THEME OF THE DOUBLE
“It hath been thought a vast commendation of a painter to say his figures seem to breathe; but surely it is a much greater and nobler applause that they appear to think.”
Preface, London 1742.
These studies are introductory enquiries concerning three aspects of perception, 1. the relationship between one person and another, 2. philosophical considerations inspired by the mirror; 3. the “folly of wise men”.
These studies are sketches for project eighteen of the Relationship Series. The large exhibition planned for the summer is on the theme: THE PAINTER WITH WOMEN:- Observations on the theme of the Double. (This eighteenth project in the summer will probably be... Read more
An exhibition of 40 works held at the New Street Gallery when it was located at 37 New Street. The exhibition notes explain the content and purpose of the show:
This little collection is a sketch – a rough draft – of the large project to be displayed at the painter's studio in the summer of 1989. The project on 'Education' is now closed. The July presentation will be the eighteenth exhibition in the Relationship Series – and will be accompanied by an interesting book on the theme: THE PAINTER WITH WOMAN: some observations on the theme of the Double.
A showing of 31 works, principally aesthetic notes related to Lenkiewicz's physiologically-based view of aesthetic attractions for other people, or ideologies or theological persuasions.
The exhibition notes state:
Presented here are a few notes from the painter's collection of several thousand pieces. These are to be understood as illustrations of an aesthetic theory about human relationships. They have no direct link to his large scale projects and other paintings; or to any theses about 'art'.
Over the last 25 years Lenkiewicz has studied his own relationships in ruthless detail. A large book (sometimes involving the help of the partner) is begun as the relationship commences, and the book is maintained throughout the duration of the relationship. Several hundred of these books (richly illustrated) testify to the general observation that the assumption of concern and regard for our partners has little to do with their... Read more
PAINTINGS: R.0. LENIKIEWICZ SELECTED from TWELVE PROJECTS on the RELATIONSHIP SERIES also: Work between the ages of 14-23
"This collection is a small selection of works from a large number of paintings on a series of projects. The series consist of 16 sections on relationships. All the themes are inter-related. They involve an aesthetic theory of a subjective nature which has pre-occupied the painter for some years. He has written a large number of notes on this aspect. Regrettably they cannot be exhibited here."
The exhibition ran concurrently with the exhibitions on Old Age and Gossip on The Barbican at the painter's studio at 25 The Parade. 60 pictures were shown, together with some works on paper.