- Introduction
- Biography
- Lenkiewicz: The Artist
- Early Work
- Themed Projects
- Project 1: Vagrancy
- Project 1a: Vagrancy
- Project 2: Death and the Maiden
- Project 3: Mental Handicap
- Project 4: Love and Romance
- Project 5: Love and Mediocrity
- Project 6: Paintings Designed to Make Money
- Project 7: Gossip on The Barbican
- Project 8: Jealousy
- Project 9: Orgasm
- Project 10: Self Portrait
- Project 11: Old Age
- Project 12: Suicide
- Project 13: Still Lives
- Project 14: The Painter With Mary
- Project 15: Death
- Project 16: Sexual Behaviour
- Project 17: Observations on Local Education
- Project 18: The Painter With Women
- Project 19: Landscape
- Project 20: Addictive Behaviour
- Project 21: Paintings Painted Blind - On The Theme Of Tobit
- Project 22: Still Lives II
- Project 23: Time
- Project 24: The Harrowing of Hell
- Non-Project Work
- Style and Technique
- Influences
- Exhibitions
- Murals
- Studios
- Popular Sitters
- Lenkiewicz: The Book Collector
- Lenkiewicz: The Philanthropist
- Lenkiewicz: The Writer
- Personal Memoirs
- Miscellaneous
Project 7: Gossip on The Barbican
The following brief explanation was contained in the booklet produced to accompany a Retrospective of Lenkiewicz's work in 1997.
"The gossip, man... the gossip!" Hume to Boswell.
This project replaced the painter's intention of proceeding with the two more projects 'Love and Humour' and 'Love and Tragedy', which indeed were never to come to fruition. Project 7 localised his enquiry into the notion that 'Gossip was the glue that stuck Society together'. Gossip, Lenkiewicz thought, was an entirely aesthetic activity. Indiscretion came second in the race towards feeling significant in one's immediate environment. But what exactly it was that came first was not so easily identified. In a sense this project was a hint and precursor to Project 10 on the theme of Self-Portrait.
large number of individuals in the Barbican area, from Community Policeman to window-cleaner, sat for Lenkiewicz. The exhibits were coupled with a text, a personal view of The Barbican and it's occupants written by each of the sitters. Project 7 was the first to be exhibited in the premises now holding his Libraries.
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