- Introduction
- Biography
- Lenkiewicz: The Artist
- Early Work
- Themed Projects
- Project 1: Vagrancy
- Project 1a: Vagrancy
- Project 2: Death and the Maiden
- Project 3: Mental Handicap
- Project 4: Love and Romance
- Project 5: Love and Mediocrity
- Project 6: Paintings Designed to Make Money
- Project 7: Gossip on The Barbican
- Project 8: Jealousy
- Project 9: Orgasm
- Project 10: Self Portrait
- Project 11: Old Age
- Project 12: Suicide
- Project 13: Still Lives
- Project 14: The Painter With Mary
- Project 15: Death
- Project 16: Sexual Behaviour
- Project 17: Observations on Local Education
- Project 18: The Painter With Women
- Project 19: Landscape
- Project 20: Addictive Behaviour
- Project 21: Paintings Painted Blind - On The Theme Of Tobit
- Project 22: Still Lives II
- Project 23: Time
- Project 24: The Harrowing of Hell
- Non-Project Work
- Style and Technique
- Influences
- Exhibitions
- Murals
- Studios
- Popular Sitters
- Lenkiewicz: The Book Collector
- Lenkiewicz: The Philanthropist
- Lenkiewicz: The Writer
- Personal Memoirs
- Miscellaneous
Project 21: Paintings Painted Blind - On The Theme Of Tobit
Blind Tobit: Paintings Painted Blind was exhibited in 2000 at the The Mission, the New Street Gallery, and then found a home at The Annexe.
Undertaken as a small experimental theme inspired by the Biblical character of Tobit and Lenkiewicz's research on blindness as a metaphor, it was later designated as Project 21. The paintings were done at a specially prepared studio in which the artist was able to paint blindfolded. The paint tins, brushes, canvases, etc., were laid out in precise locations, and the canvases were painted by 'feel' and 40 years of cunning painterly instinct. Robert claimed never to have seen the finished results until they were unveiled before the public for the first time.
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