- Introduction
- Biography
- Lenkiewicz: The Artist
- Early Work
- Themed Projects
- Project 1: Vagrancy
- Project 1a: Vagrancy
- Project 2: Death and the Maiden
- Project 3: Mental Handicap
- Project 4: Love and Romance
- Project 5: Love and Mediocrity
- Project 6: Paintings Designed to Make Money
- Project 7: Gossip on The Barbican
- Project 8: Jealousy
- Project 9: Orgasm
- Project 10: Self Portrait
- Project 11: Old Age
- Project 12: Suicide
- Project 13: Still Lives
- Project 14: The Painter With Mary
- Project 15: Death
- Project 16: Sexual Behaviour
- Project 17: Observations on Local Education
- Project 18: The Painter With Women
- Project 19: Landscape
- Project 20: Addictive Behaviour
- Project 21: Paintings Painted Blind - On The Theme Of Tobit
- Project 22: Still Lives II
- Project 23: Time
- Project 24: The Harrowing of Hell
- Non-Project Work
- Style and Technique
- Influences
- Exhibitions
- Murals
- Studios
- Popular Sitters
- Lenkiewicz: The Book Collector
- Lenkiewicz: The Philanthropist
- Lenkiewicz: The Writer
- Personal Memoirs
- Miscellaneous
Project 16: Sexual Behaviour
The following brief explanation was contained in the booklet produced to accompany a Retrospective of Lenkiewicz's work in 1997.
In 1983 Lenkiewicz exhibited Project 16. This project attempted to survey as wide a range as possible of human activities relating to sexual behaviour. He attempted to do this seriously without attention to the law. As the show was presented he was asked by the Council and the Police to warn visitors, "Local Authority regard this project as unsuitable for those under eighteen, this is not the painter's opinion". It seemed extraordinary to Lenkiewicz that sexual proclivities active all day and all night in the private lives of the complainees should become an issue in law. The policeman who removed a painting on masturbation admitted that he masturbated. The Council representative who restricted imagery connected with prostitution was friendly with the prostitutes. Heterosexual behaviour, homosexual behaviour, auto-erotic behaviour, bestiality, even necrophilia are commonplace in our society and most societies, and characterise more than 50% of all human entertainments. It is interesting that when the authorities visited the Exhibition to consider closure, the paedophilia section went entirely unnoticed. The local reaction to the project was of far greater interest and stimulation in Lenkiewicz's view than the project itself and much more revelatory.
The project attempted to demonstrate that there was no end to human creativity, that loneliness combined with human passion could animate a hoover to far more gratifying potentials than one's wife. The project seemed to indicate that all sexual behaviour was auto-erotic, from marriage partners to strangers' underwear. It seemed an inherent and terrible isolation lay just under the surface of some of the most powerful desires to consult with and connect to the world around us. Auto-erotic activity finds itself its own reward, such as it is. It has little to do with the subtler aspects of human relationships and claims for the credibility of 'the other'.
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