- The Lenkiewicz Book Project
- Introduction
- Biography
- Book For Sale
- Lenkiewicz: The Artist
- Early Work
- Themed Projects
- Project 1: Vagrancy
- Project 1a: Vagrancy
- Project 2: Death and the Maiden
- Project 3: Mental Handicap
- Project 4: Love and Romance
- Project 5: Love and Mediocrity
- Project 6: Paintings Designed to Make Money
- Project 7: Gossip on The Barbican
- Project 8: Jealousy
- Project 9: Orgasm
- Project 10: Self Portrait
- Project 11: Old Age
- Project 12: Suicide
- Project 13: Still Lives
- Project 14: The Painter With Mary
- Project 15: Death
- Project 16: Sexual Behaviour
- Project 17: Observations on Local Education
- Project 18: The Painter With Women
- Project 19: Landscape
- Project 20: Addictive Behaviour
- Project 21: Paintings Painted Blind - On The Theme Of Tobit
- Project 22: Still Lives II
- Project 23: Time
- Project 24: The Harrowing of Hell
- Non-Project Work
- Style and Technique
- Influences
- Exhibitions
- Murals
- Studios
- Popular Sitters
- Lenkiewicz: The Book Collector
- Lenkiewicz: The Philanthropist
- Lenkiewicz: The Writer
- Personal Memoirs
- a childs-eye view of lenkiewicz
- Miscellaneous
Project 15: Death
The following brief explanation was contained in the booklet produced to accompany a Retrospective of Lenkiewicz's work in 1997.
"We must either outlive our friends, or our friends must outlive us, and I see few men who would hesitate about the choice." Dr. Johnson.
On Thursday February 11th 1982, an article by Lenkiewicz titled 'The Changing Pattern of Dying' was published in The Western Evening Herald. It was a survey of Western attitudes towards dying from the 12th Century to the present. The observations were, to a large degree, based on ideas presented by Professor Edwin Shneidman and Dr. Phillipe Aries. The article concluded with a request that any dying reader might offer themselves as a sitter for Project 15. A number of 'for and against' letters were published in the following days, in the same newspaper, giving some indication of the climate of views on this subject. Individuals who were dying did agree to sit for Lenkiewicz with startling and varied attitudes. Parallel with these works were paintings of Doctors and Surgeons; "I tend to deal with survival rather than death; but I daresay I've killed a few in my time... regrettable." "Doctor, doctor must I die? Yes my dear and so must I" A number of Clergy, Priests, Bishops; "You would embarrass me greatly if you pursued this matter." (Clergyman's response to request for displaying painting in Project 15.)
Funeral and Burial representatives. Above all, however, the individual sitters who were dying; " I don't know, tell me dear, is it three or four months that I have to live?", "I'm not sure dear, I think it's three." (Husband and wife in conversation.)
Their unsentimental acceptance of what had inevitably arrived became the basis for fascinating and humane conversation. Lenkiewicz noted:
"One may anticipate, but never fully experience death; it is in the nature of this anxiety that it can never be stimulated by a 'fully rounded' danger, as it is unlikely that there will be opportunity for 'postreflection'."
Throughout this project Lenkiewicz had done a great deal of reading on this theme and was frequently reminded of Walter Kaufmann's thesis that:
"Freedom from fear is a pipe dream as long as one fears death. "
